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So when I hear the piece I dont just hear the beauty of Allegris writing, but I also better comprehend the true genius that Mozart was. What Mozart transcribed was Miserere Mei, Deus, a 15 minute long, 9 part choral song. An interesting piece of trivia. The work is set as a falsobordone, a technique then commonly used for performing psalm tones in a polyphonic manner. 1995-2022 Classical NetUse of text, images, or any other copyrightable material contained in these pages, without the written permission of the copyright holder,except as specified in the Copyright Notice, is strictly prohibited. Gregorio Allegri wrote this motet which is a setting of the Vulgate Psalm 50. TIL: Mozart was one of the first music pirates. Join Facebook to connect with Miserere Mei Deus and others you may know. Songs that give you goosebumps every time : r/Music - reddit Daily Readings: September 13, 2021 - Common Prayer 50), his composition is based on another psalm (Ps. He was one of the earliest composers for stringed instruments, but the Miserere is by far his most celebrated composition. On this Wikipedia the language links are at the top of the page across from the article title. One was owned by the King of Portugal; another was in the possession of the distinguished composer, pedagogue, and theoretician Padre Giovanni Battista Martini (1706-1784); and a third was kept in the Imperial Library in Vienna. Chanted at the service since 1514, this composition was forbidden to be transcribed because the Vatican wanted to preserve the musics reputation. Twice during that week, on Wednesday and Friday, the service would start at 3AM Peter Phillips and the Tallis Scholars have recorded this work twice, once nearly a decade ago (Gimell CDGIM339) and more recently a glorious live recording made at the Basilica of Santa Maria Maggiore in Rome to commemorate the 400th anniversary of Palestrina's death (Gimell CDGIM999). The song was performed in the Sistine Chapel only. 57 Miserere mei, DeusBCP p. 663. On this Wikipedia the language links are at the top of the page across from the article title. In 1880 an editor of Groves Musical Dictionary inserts this modulated section into the illustration of the pieces.